Chloe qisha: the pop girlie redefining festival flirting
Forget polite applause and reserved nodding. Chloe Qisha is bringing a whole new vibe to the UK festival circuit, one playful flirtation at a time. The 27-year-old artist, already generating buzz after supporting Sabrina Carpenter and earning a spot on BBC’s Sound of 2026 list, is poised for a breakout summer at Isle of Wight and Reading festivals – and she’s not shy about making the experience interactive.
A calculated aesthetic: fashion as a narrative
Qisha’s ascent isn't just about charisma; it's a meticulously constructed brand. She’s keenly aware of the power of image, a lesson learned no doubt from observing the industry’s established stars. “Fashion can be very divisive and used in a very good way, especially for budding artists,” she explains. It’s a deliberate strategy, aiming for that instant recognition: “I want to be like, ‘Oh, that’s the girl.’” Her recent US tour saw a rotating cast of slogan tees, each a subtle clue to what’s coming. The graphic baby tee and chaps she sported, paired with Fiorucci tights and a striking belt, were a clear nod to the established aesthetic of pop icons like Charli XCX – booty shorts, tees, and sunglasses – but with a distinctly Qisha twist.
But beyond the carefully curated look, there’s a willingness to challenge the often unrealistic expectations placed upon young female artists. Qisha isn’t afraid to call out the double standard. “The bar for pop girlies is unusually high,” she observes. “People expect Addison Rae to come out of the gate singing like Beyoncé, but then also dancing like Tate McRae and then also giving 20 years’ worth of experience all packed into one.” She contrasts this with the latitude afforded male performers, noting, “A pop boy can go on stage with the same T-shirt and denim jeans they’ve been wearing all tour and just rock out with a guitar, and we’re like, ‘Yes, King, give me more.’”

Beyond the beats: exploring vulnerability and desire
Qisha's Music delves into equally complex territory. Her latest release,
